Pure Historical past Museum Brushes Up for a Reopening


Don’t count on to place your arm round Teddy Roosevelt for a selfie. Or poke a finger in a moon crater, or scrape the mighty jaw of a T. rex.

When the American Museum of Pure Historical past reopens on Sept. 9, it’s going to — like all cultural institutions that have been retrofitted for the Covid period — feel and look a little bit completely different.

The sculpture of Roosevelt, seated on a bench simply inside a decrease entryway and previously a well-liked spot for photographs, has been cordoned off with stanchions. Ditto the mannequin of the moon within the Rose Heart for Earth and House, the place as soon as you possibly can stand and be taught your lunar weight.

Contact screens are off, and so are the movies on the Hayden Planetarium. The corridor of meteorites will keep unexplored, and the small theater tucked beneath the lengthy, lengthy tail of the Titanosaur will stay empty. Beneath the behemoth’s outstretched neck final week, a museum workers member was testing an about-to-be deployed military of computerized hand sanitizer machines. Their robotic blurp is now a part of the soundtrack to many exhibition halls.

The reimagining and re-engineering of the museum expertise is supposed to be noticeable, and assuring, mentioned Ellen V. Futter, the museum’s president. “We’re very eager for folks not solely to be secure however for folks to really feel secure,” she mentioned, particularly as they re-enter massive public areas for presumably the primary time in lots of months.

However for all of the adjustments — which embrace the museum’s hours, ticketing, prices and stay programming (none to talk of) — a lot will stay the identical. The blue whale continues to be suspended there. (The place else might maintain her?) The dioramas are simply as frozen, if now rather less dusty. The museum has used the longest closure in its 150-year historical past as a possibility to do some deep cleansing.

One latest weekday, a employee was perched atop a raise, swabbing a far again nook of the tippity-top of a prosauropod’s glass case. The flooring are ultrapolished. So are the T. rex’s teeth.

Even the interactive objects that are actually off-limits have been protectively spiffed up, with an eye fixed towards the second when they are often accessible once more. Michael Meister, the director of exhibition design, was rolling via the dinosaur rooms with a cart laden with custom-made plexiglass covers, popping them on. “They’re all made to be versatile — to come back proper off,” he mentioned. “The aim isn’t to cover something or take away something,” as a result of the expectation, the hope, is that these changes will likely be non permanent, he mentioned.

On the museum’s entrance steps, the statue of Roosevelt on horseback, flanked by an African man and a Native American man — for years the thing of criticism as an emblem of racism and colonialism — continues to be there, although the museum and town agreed in June that it should be removed. No plans have but solidified, however the exhibition “Addressing the Statue” continues, now with new signage to assist management crowds in a slender hallway there.

Throughout the museum, there are new air filters, one-way site visitors patterns and orange stickers denoting the place to face in every nook of an elevator, to keep up social distancing. (Solely two folks at a time, the museum requests.)

That could be a tall order when the Central Park West constructing usually has about 5 million guests a yr, almost half one million of them schoolchildren. Now, capability is capped at 25 p.c, however a spokesman for the museum mentioned they plan to go under that originally, for an much more intimate expertise — permitting a whole bunch, not 1000’s, of holiday makers in per hour, as much as about 3,500 a day. Early gross sales for timed tickets have been sturdy, he mentioned. (The museum reopens to members on Sept. 2.)

The museum has operated via pandemics and severe outbreaks earlier than. In 1908, it opened an exhibition about tuberculosis, the bacteria-borne lung illness that was the city’s leading killer on the flip of the twentieth century. It was a proto-blockbuster of a show, with strains across the block; as many as 10,000 folks noticed it on a single day, in keeping with the museum.

Its success led to the creation of a public well being division on the museum, whose curator had the foresight to start amassing specimens of micro organism and different microbes. That assortment shaped the premise of a national repository that also exists at the moment, as a key useful resource for researchers.

Early on this pandemic, the museum created online resources to assist the general public perceive the coronavirus and the search for a cure; extra programming is deliberate. Its scientists are additionally engaged on associated analysis. Sharing info and evidence-based science “could be very a lot in our candy spot,” Ms. Futter mentioned. “Science and schooling have by no means been extra necessary.”

Enjoyable is sweet too. The museum is re-upping “The Nature of Color,” an immersive exhibition which had simply opened when the pandemic shutdown started on March 13.

To re-enter the grand halls and ornate areas of establishments just like the Pure Historical past or the Met, after months through which our world shrank a lot — to too-small residences and overly acquainted neighborhoods, the numbing roteness of home routine — is to rapidly rediscover awe. Artwork museums give us magnificence and problem our pondering. Pure historical past museums, which showcase the evolution of our world and its multifarious cultures over eons, provide perspective.

Even for Ms. Futter, who started visiting the museum as a woman of 5 or youthful, it was emotional to return. “Going out and in of its doorways each single day and night time, and never having executed so for months, was tough and painful,” she mentioned. “Coming again was transferring and really very pleased.”

She expects that many museumgoers could also be flooded with emotion too — with nostalgia and a way of group, aid and pleasure on the return, nonetheless vigilant, to a vibrant remembered life.

“The go to itself is transporting,” she mentioned. “We allow you to go to all over the place, seven continents and outer house, on Central Park West and 79th Road.”

“Equally true is the big reassurance that there are some issues which might be fixed — and we’re one among them.”


American Museum of Pure Historical past

The museum reopens on Sept. 9 (doorways open to members on Sept. 2). Superior buy of timed tickets required. 212-769-5100, amnh.org.





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