Rhonda Fleming, 97, Film Star Made for Technicolor, Is Lifeless
Rhonda Fleming, the red-haired actress and intercourse image in Hollywood westerns, movie noir and journey films of the Nineteen Forties and ’50s, died on Wednesday at Windfall Saint John’s Well being Heart in Santa Monica, Calif. She was 97.
Her loss of life was confirmed by Carla Sapon, her longtime assistant.
Ms. Fleming’s roles included these of a wonderful Arthurian princess within the Bing Crosby musical model of Mark Twain’s novel “A Connecticut Yankee in King Arthur’s Court docket” (1949); a gambler and the love curiosity of Wyatt Earp (Burt Lancaster) in “Gunfight on the O.Ok. Corral” (1957); an amorous duchess in Bob Hope’s comedy “The Nice Lover” (1949); and the considerably much less dangerous sister of Arlene Dahl’s bad-girl character in “Barely Scarlet” (1956), which could be described as a Technicolor noir.
In Jacques Tourneur’s “Out of the Previous” (1947), she performed a supporting function as a nervous secretary, alongside Robert Mitchum and Kirk Douglas. She was a turn-of-the-century New England secretary who’s murdered by a serial killer (George Brent) in “The Spiral Staircase” (1946). One other supporting function, she mentioned, was her favourite: the overdressed, overcoiffed stepsister to Jean Simmons’s character within the thriller “Dwelling Earlier than Darkish” (1958).
Like her peer, Maureen O’Hara, Ms. Fleming was typically known as the Queen of Technicolor; each actresses had glamorous pink hair, inexperienced eyes and honest pores and skin. However in later years, she seemed again on that as a disadvantage.
The studios “by no means needed extra from me than my trying good and waltzing via a parade of movies like ‘The Redhead and the Cowboy,’” she told People journal in 1991, referring to a 1951 western she made with Glenn Ford.
She sang in a number of of her movies and was a part of a gospel quartet, the 4 Ladies, with Jane Russell, Connie Haines and Beryl Davis within the ’50s. In 1957, she launched into a Las Vegas profession, performing on the brand-new Tropicana resort. Later, she appeared on the Hollywood Bowl and toured with Skitch Henderson and his orchestra.
Getting ready to her fiftieth birthday, she made her Broadway debut. A part of an ensemble forged that included Myrna Loy, Alexis Smith and Kim Hunter in a 1973 revival of Clare Boothe Luce’s comedy “The Ladies,” she was Miriam Aarons, the comparatively minor function performed by Paulette Goddard within the 1939 movie. Reviewing the production in The New York Occasions, Clive Barnes described Ms. Fleming as “all good nature as the plush with the guts of a martini.”
Rhonda Fleming was born Marilyn Louis on Aug. 10, 1923, in Hollywood, the youthful of two daughters of Effie Graham, a mannequin and actress, and Harold Cheverton Louis, who labored within the insurance coverage trade.
Whereas she was nonetheless a pupil at Beverly Hills Excessive Faculty, Marilyn was noticed by an agent and given just a few small movie roles. David O. Selznick, the highly effective film producer, noticed her, put her underneath contract and altered her identify to Rhonda Fleming.
After just a few uncredited display appearances (in her first three films she performed Dance-Corridor Woman, Woman at Dance and Woman on Practice), she made her official movie debut in “Spellbound” (1945), Alfred Hitchcock’s psychological thriller. She performed a sex-hungry psychological affected person being handled by Ingrid Bergman’s character; she usually informed interviewers that she needed to lookup the phrase “nymphomaniac” to know precisely what her character was imagined to be.
Over the subsequent 15 years she made some three dozen movies. 4 of her Nineteen Fifties films starred Ronald Reagan, together with “Tropic Zone” (1953), by which his character saved her character’s banana plantation.
Though she tended to be forged as a fresh-faced however horny American lady, she did play the occasional international sort. She was Cleopatra in “Serpent of the Nile” (1953), reverse Raymond Burr as Mark Antony. In “Little Egypt” (1951), she portrayed an unique stomach dancer at a world’s honest — though her character turned out to be only a New Jersey lady with a pretend accent.
Within the early Nineteen Sixties, she turned virtually completely to performing on tv, the place she was energetic till the mid-Seventies.
She returned to the massive display in “Received Ton Ton, the Canine Who Saved Hollywood” (1976), a comedy remembered largely as a result of so many stars of Ms. Fleming’s period agreed to be in it. Her character’s identify was Rhoda Flaming.
Technically, Ms. Fleming’s remaining display look was in “Ready for the Wind,” a 1990 half-hour tv drama by which she performed a spiritual farm spouse reverse Mitchum. Her final movie was “The Nude Bomb,” a 1980 spy comedy based mostly on the Nineteen Sixties sitcom “Get Good,” by which she performed Edith Von Secondberg, a global designer.
Ms. Fleming had six husbands. In 1940, she married Thomas Lane, with whom she had a son. They divorced in 1948. Her second husband was Lew Morrill (1952-58), a doctor, adopted by Lang Jeffries, an actor (1960-62), and Corridor Bartlett (1966-72), a filmmaker. All of these marriages resulted in divorce.
In 1978, she married Ted Mann, proprietor of the Mann Theaters chain. They had been collectively till his loss of life in 2001. Two years later, she married Darol Carlson, who died in 2017. Ms. Fleming is survived by her son, Kent Lane, in addition to two granddaughters, 5 great-grandchildren and two great-great-grandchildren, Ms. Sapon mentioned.
Ms. Fleming as soon as mentioned that she by no means formally retired. She simply selected to work much less. In a 1993 interview with The Toronto Star, stress-free at her California residence with Mr. Mann, she mentioned: “My husband just lately requested me if I’d seen any film I needed to look in.” She went straight for a particular function. “I mentioned sure, the dinosaur in ‘Jurassic Park.’”